Редактирование: Universalis 2
Материал из RPGround Wiki
Внимание! Вы не авторизовались на сайте. Ваш IP-адрес будет публично видимым, если вы будете вносить любые правки. Если вы войдёте или создадите учётную запись, правки вместо этого будут связаны с вашим именем пользователя, а также у вас появятся другие преимущества.
Правка может быть отменена. Пожалуйста, просмотрите сравнение версий, чтобы убедиться, что это именно те изменения, которые вас интересуют, и нажмите «Записать страницу», чтобы изменения вступили в силу.
Текущая версия | Ваш текст | ||
Строка 1: | Строка 1: | ||
− | + | Arpa Universalis Playtest: | |
− | + | Phil's turn | |
− | + | Turn Order and Coins left: | |
+ | 1) Adam (5) | ||
+ | 2) Phil (11) | ||
+ | 3) Sean (12) | ||
+ | 4) EvilCat (12) | ||
− | + | Scene One: Look before you Leap: | |
− | + | Joanna Edwards (Phil) | |
− | + | - accelerated fall | |
− | + | - flick-knife | |
+ | - expert parachutist | ||
− | + | First man (Cat) | |
+ | - skydiving experience | ||
+ | - has something 003 wants | ||
+ | - Astra A-80 pistol (half round) | ||
+ | - bad guy | ||
− | + | Second man (Sean) | |
+ | - half into his chute | ||
− | + | Plane (Adam) | |
+ | - On autopilot & circling | ||
− | + | Location | |
− | + | - the height is right for a parachuted descent | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | + | Story Elements: | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
*'Bond-esque' espionage | *'Bond-esque' espionage | ||
*European setting | *European setting | ||
Строка 60: | Строка 43: | ||
*MI6's resources are currently invested in other important operations, and 003's support is limited. | *MI6's resources are currently invested in other important operations, and 003's support is limited. | ||
− | + | Components: | |
+ | Joanna Edwards (003) [6] | ||
+ | - a stunning blond | ||
+ | - could have been an Olympic Gymnast as a teenager | ||
+ | - expert in Aikido | ||
+ | - once jumped out of a burning aeroplane with Peter Gosling | ||
+ | - expert parachutist | ||
+ | - flick knife | ||
+ | |||
+ | Sergeant Peter Gosling, Royal Regiment of Fusiliers [6] | ||
+ | - stationed at Buckingham Palace as part of the current guard | ||
+ | - bats for the other side, but is still in-the-closet. | ||
+ | - once jumped out of a burning aeroplane with Joanna Edwards | ||
+ | - brother of Michael Gosling, a PACE oeprative | ||
+ | |||
+ | Michael Gosling, a PACE operative [3] | ||
+ | - brother of Peter Gosling, Sergeant of the Royal Regiment of Fusiliers | ||
+ | |||
+ | P.A.C.E, a Spanish criminal organisation [4] | ||
+ | - goal is to further the cause of the Basque separatist movement by assassinating a British royal | ||
+ | - have trouble with maintaining discipline. Empassioned operatives will often act on their own agendas or of their own accord | ||
+ | |||
+ | Prince Reginald, son of the Duke of Kent [2] | ||
+ | |||
+ | Thomas (Tom) Larkin, diamond trader [3] | ||
+ | - just returned from South Africa | ||
+ | |||
+ | Domingo Alvarez, a reporter at the Daily Mail [2] | ||
+ | |||
+ | Rules Gimmicks: | ||
*No interrupts in mid-narration | *No interrupts in mid-narration | ||
*If a player doesn't act on his turn for a day, the next player can take the turn for free, or any other player can take it for 1 coin | *If a player doesn't act on his turn for a day, the next player can take the turn for free, or any other player can take it for 1 coin | ||
*The targeted royal is never to be explicitly identified | *The targeted royal is never to be explicitly identified | ||
*Anyone can attach a good and appropriate picture to a component for 1 coin, like a trait. It acts as a proper name, aiding a character in any complication (since a portrait signifies character's importance to the story) | *Anyone can attach a good and appropriate picture to a component for 1 coin, like a trait. It acts as a proper name, aiding a character in any complication (since a portrait signifies character's importance to the story) | ||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− |